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Hero At Large

Ever see a movie that looks, feels, and sounds like a TV show even though you’re sitting in the theater?

That’s Hero at Large.  A director who, despite directing “Lords of Flatbush” which launched Sylvester Stallone, Henry Winkler and Perry King, spent most of his career in television, and a writer who wrote mostly for television and a cast of TV familiar faces led by “Three’s Company” star John Ritter make this film, and it somehow worked.

My Bodyguard

“My Bodyguard” had a first-time director and a cast of unknowns, made $22 million from a $3 million budget, and basically launched the careers of Matt Dillion, Joan Cusack and others.  Ok, Dillion was in Little Darlings that year, too, but this is the showy role that critics saw.  Chris Makepeace, the nerd from “Meatballs” plays the nerd here, too.  Martin Mull and Ruth Gordon add their schtick, but Makepeace and Dillon really make this film shine.


The funny thing about comedies is how hard it is to be funny in a film.

There isn’t really a designed method to it.  There really aren’t rules.  In the early days of sound films, the Marx Brothers would basically take a show on the road, find out what got laughs and what didn’t, fine tune it to a fever pitch, and bam – you have a film comedy.