The comedy trilogy of my childhood was Animal House, Caddyshack and Stripes.
R-ratings weren’t strictly enforced, and I had seen this trilogy by the age of 13. I had to see it with Siskel and Ebert giving it good reviews.
The film began as a Cheech and Chong vehicle in the Abbott and Costello “Buck Privates” tradition developed by Animal House’s Ivan Reitman. When Reitman saw that his idea with Cheech and Chong’s involvement would be quickly out of his control, he opted to cast Caddyshack’s writer Harold Ramis and actor Bill Murray.
Although Ramis was a SCTV alum, this would be his first film acting work and his pairing with his friend Bill Murray would lead to the blockbuster hit “Ghostbusters” with Reitman as director.
Murray was at his best here, playing the ne’er do well slacker who talks his buddy into joining the Army, and proceeding to get in constant trouble while finding time to flirt with female MPs. Oddly, the two find themselves overseas and AWOL which allows them to save their captured unit and avoid an international crisis.
A lot of improv and a great supporting cast including a young John Candy and a pre-“Night Court” John Larroquette, Judge Reinhold before “Fast Times at Ridgemont High” and “Beverly Hills Cop,” as well as P.J. Soles and Sean Young.
From a budget of $10 million, box office exceeded $85 million, more than “Caddyshack” but nowhere near “Animal House”’s record box office for comedies, a record that was broken by “Ghostbusters” and “Beverly Hills Cop” in 1984.
Murray set his character archetype in “Meatballs” (another film worth Another Take), but Stripes was where he hit his took that character to rarified box office air.
If you haven’t seen the trilogy, they’re all worth another take.
The Highlight Reel
Easily the best scene was the Army graduation cemetery when Murray leads his fellow soldiers to an crowd-pleasing performance showing their exceptional synchronized training maneuvers. That’s the fact, Jack.
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